![[ German, Russian, and
East Asian Languages and Literatures]](greall.hdr.gif)
Chinese
[For more information about major requirements, see German, Russian, and East Asian Languages and Literature]
The major offers a structure sequence of instruction in language skills leading to
competency in spoken and written Mandarin Chinese, with
classical Chinese taught at the advanced level. Emphasis is also placed on familiarizing the
students with the rich cultural heritage of
China’s four thousand years’ history, which is transmitted and embodied by the native
language of over one billion people. The department
strongly recommends that majors spend their junior year at any departmentally recognized
study abroad program in mainland China and/or
Taiwan. Together with the major in Japanese, this major replaces the former major in East
Asian Languages and Cultures. Students
wishing to pursue a broadly based, interdisciplinary study of East Asia should consult the
listings for the East Asian Studies major in the
Asian Studies Program.
The major consists of a minimum of twelve courses which must include: a) Chinese 101-
102, 201-202, 301-302, or the equivalent; b)
Chinese 207 and Japanese 240; c) two courses from the following: Chinese 209, 261, s24,
s30, History 374, or one from this list and an
additional course on the literature of another culture; d) either Chinese 401 or 415; and e) a
senior thesis project, Chinese 457 or 458,
completed in the senior year. Students are expected to utilize some source materials in
Chinese in conducting research for the thesis.
Qualified students are encouraged to write in Chinese. Note that students may petition the
department to have courses taken in their study
abroad program applied toward the fulfillment of requirements a) and c).
Courses
101. Beginning Chinese I. An introduction to spoken and written modern
Chinese. Conversation and comprehension exercises in
the classroom and laboratory provide practice in pronunciation and the use of basic patterns
of speech. A. Zhou.
102. Beginning Chinese II. A continuation of Chinese 101 with increasing
emphasis on the recognition of Chinese characters. By
the conclusion of this course, students know over one quarter of the characters expected of
an educated Chinese person. Classes,
conducted increasingly in Chinese, stress sentence patterns that facilitate both speaking and
reading. Prerequisite(s): Chinese 101. S.
Yang.
201-202. Intermediate Chinese. Designed to enable students to converse in
everyday Chinese and to read simple texts in
Chinese (both standard and simplified characters). Classes conducted primarily in Chinese
aim at further development of overall language
proficiency. Prerequisite(s): Chinese 102. Open to first-year students. L. Miao.
207. Masterworks of Chinese Literature in Translation. An exploration of
Chinese literature through reading and discussion of
some of its masterworks of poetry, drama, fiction, and belles-lettres prose pieces from the
ancient times through the pre-modern era. Open
to first-year students. Staff.
209. Modern China through Film and Fiction. This course explores modern
China through a number of short stories and feature
films produced in the twentieth century, from Lu Hsun’s fiction written around 1920 to
recent films directed by such world-famous directors
as Zhang Yimou and Ang Lee. The focus of the course is on ways of interpreting different
cultural products of modern China. Students
thereby also gain a general knowledge of the history of modern Chinese fiction and film.
All readings, lectures, and discussions are in
English. Open to first-year students. S. Yang.
250. Asian American Literature. This course introduces students to one of the
most eye-catching phenomena in today’s
American literature: fiction and nonfiction written by Korean American, Chinese American,
Japanese American, Vietnamese American, and
Filipino American writers. Readings include Quiet Odyssey: A Pioneer Korean Woman in
America (1990); Donald Duk (1991); selections
from The Big Aiiieeeee! (1991); and Goodbye Saigon (1994). The course focuses on these
writers’ attempts to define Asian American
cultural identity. Discussion topics also include artistic, social, individual, and political
issues presented in these works. For comparison,
Asian cultures and African American literature and culture may also be discussed.
Conducted in English. Open to first-year students. Staff.
261. Self and Society in Chinese Culture: Classics and Folk Tales. An
introduction to Chinese culture and civilization through
reading and discussion of a number of classical texts of Confucian, Taoist, and Buddhist
thoughts, as well as traditional tales, popular
stories, and legends in which these basic Chinese thoughts are reflected. Readings and
lectures are all in English. Open to first-year
students. S. Yang.
301-302. Upper-Level Modern Chinese. Designed for students who already have
a strong background in spoken Chinese, the
course gives an intensive review of the essentials of grammar and phonology, introduces a
larger vocabulary and a variety of sentence
patterns, improves conversational and auditory skills, and develops some proficiency in
reading and writing. Extensive use of short texts
(both literary and nonfictional) and some films. Classes are conducted primarily in
Chinese. Prerequisite(s): Chinese 202. Open to first-year
students. L. Miao.
360. Independent Study. Independent study of individually selected topics.
Periodic conferences and papers required. Permission
of the department is required. Students are limited to one independent study per semester.
Staff.
365. Special Topics. Designed for the small seminar group of students who may
have particular interests in areas of study that go
beyond the regular course offerings. Periodic conferences and papers are required. Written
permission of the instructor is required. Staff.
401. Advanced Chinese. This course is designed to further enhance students’
ability to understand and speak idiomatic Mandarin
Chinese. Included are readings of modern and contemporary literary works, journalistic
writings and other non-literary texts. A few classical
texts may also be studied upon students’ request. Recommended background: three years
of Chinese or more. Prerequisite(s): Chinese
302. Open to first-year students. A. Zhou.
415. Readings in Classical Chinese. An intensive study of classical Chinese
through reading selections of ancient literary,
historical, and philosophical texts in the original, including excerpts from the Analects, the
Mencius, Laozi, Zhuangzi, Shiji, Tang-Song
prose and poetry. Conducted in Chinese. Prerequisite(s): Chinese 302 or 401. Open to
first-year students. A. Zhou.
457. 458. Senior Thesis. An extended research or translation project on a topic in
Chinese literature, culture, or language utilizing
some source materials in Chinese. Qualified students may choose to write the thesis in
Chinese. Before registering for either 457 or 458,
the student should consult with his or her advisor and submit a concise description and a
tentative bibliography. Students register for 457 in
the fall semester and for Chinese 458 in the winter semester, unless the department gives
approval for a two-semester project. Majors
writing an honors thesis register for both Chinese 457 and 458. Staff.
Short Term Units
s24. Chinese Language and Culture in Beijing, China. This unit involves
intensive work for five weeks at Renmin University in
Beijing, China, as well as excursions to some famous historical sites, such as the Great
Wall, the Forbidden City, and Tiananmen Square.
This unit is offered at two levels: 1) for students who have had no Chinese, and 2) for
students who have completed one or more years of
college-level Chinese. Recommended background: one year or more of Chinese. Open to
first-year students. Enrollment limited to 20.
Written permission of the instructor is required. Staff.
s30. Chinese Calligraphy and Etymology. A study of Chinese calligraphy
through practice in the use of the brush-pen and
through analysis of the aesthetics as well as the historical development of this graphic art.
Calligraphy or brushwriting (shufa in Chinese
and shodo in Japanese) is considered in East Asia as a spontaneous yet premeditated act of
self-expression, which embraces philosophy,
religion, culture, and an artistic tradition thousands of years old. Conducted in English.
Recommended background: some knowledge of
Chinese characters or kanji. Prerequisite(s): Chinese 101 or Japanese 101. Open to first-
year students. Enrollment limited to 20. S. Yang.
s50. Individual Research. Registration in this unit is granted by the department
only after the student has submitted a written
proposal for a full-time research project to be completed during the Short Term and has
secured the sponsorship of a member of the
department to direct the study and evaluate the results. Students are limited to one
individual research unit. Staff.
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