Recent Papers and
Publications:
All papers (c) William P.
Seeley, Department of Philosophy,
Articles:
Imagining
Crawling Home: A Case Study in Cognitive Science and Aesthetics (forthcoming). European Review of Philosophy: Psychology
and Experimental Philosophy. pdf
The Philosophy of Art and Aesthetics, Psychology, and
Neuroscience: Studies in Literature, Visual Arts, and Music, with No‘l Carroll and
Margaret Moore (forthcoming). In Arthur
P. Shimamura & Stephen E. Palmer (Eds.), Aesthetic Science: Connecting Minds, Brains, and Experience.
Cognitive
Science and Art (2009). In Stephen Davies, Kathleen Higgins, Robert
Art,
Artists, and Perception: A model for premotor contributions to visual analysis
and form recognition, with Aaron Kozbelt (2008). Philosophical Psychology, 21(2), 1-23. pdf
Motor Simulation & the Effects of Energetic &
Emotional Costs of Depicted Actions in Picture Perception [Abstract]Ó (with
Jessica Waughtel) (2008). Journal of Vision, 8(6): 1041a. pdf
Effects
of Interpretation of Energetic and Emotional Costs of Depicted Actions in
Picture Perception (2008). In K. S. Bordens (Ed.), Proceedings of the
International Association of Empirical Aesthetics, Volume XX, 723-726. pdf
Integrating
Art Historical, Psychological, and Neuroscientific Explanations of Artists
Advantages in Drawing and Perception, with Aaron Kozbelt (2007). Psychology
of Aesthetics, Creativity, and the Arts,
1(2), 80-90. pdf
Naturalizing
Aesthetics: Art and the Cognitive Neuroscience of Vision (2006). Journal of
Visual Arts Practice, 5(3),
195-213.
Art,
Aesthetics, and Cognitive Neuroscience (2006). In H. Gottesdiener & J. C.
Vilatte (Eds.), Culture and Communication: Proceedings of the International
Association of Empirical Aesthetics, Volume XIX, 781-784. pdf
Imagining
Film: Seeing with the Mind's Eye (2005). Philosophical Inquiry, Volume XVII,
Summer/Fall, 3-14.
A
Visuomotor Skill Model for Artists' Advantages In Drawing, Visual Analysis, and
Form Recognition, with Aaron Kozbelt (2004). In J. P. Frois, P. Andrade, &
J. F. Marques (Eds.), Art and Science: Proceedings of the International
Association of Empirical Aesthetics, Volume XVIII, 645-648. pdf
Book Reviews:
Book Review: New
Waves in Aesthetics, Kathleen Stock & Katherine Thomas-Jones (Eds.)
(2009). Journal
of Aesthetics & Art Criticism (forthcoming).
Book
Review: Philosophy & Conceptual Art, edited Peter Goldie &
Elisabeth Schellekens. Journal of Aesthetics and Art Criticism, 66(2), 203-205.
Book
Review: The Creation of Art, edited Berys Gaut and Paisley Livingston
(2005). Philosophical Inquiry,
Volume XXVII, Summer/Fall,126-129.
Book
Review: AngloModern: Painting and Modernity in
Book Review: Neurons and Networks, John
Dowling, New in Brain and Behavioral Science, 2(78), November 23,
2002, http://mentalhelp.net/books/books.php?type=de&id=1407
In Preparation:
Attention,
Intention, and Interpretation in Paintings and Films (with No‘l Carroll).
On Being Direct: What Is It
That Is Perceived Directly in Direct Perception? (with Tony Chemero).
Tension Resolved: Aesthetics
& the Cognitive Neuroscience of Music (with Stefan Koelsch).
Movement, Gesture, and Meaning: A Sensiromotor Model
for Audience Engagement with Dance. abstract
Whose Effectors, Yours or Mine? Identification,
Interpretation, and Motor Simulation in Visual Narratives. abstract
Empirical Aesthetics and Aesthetic Experimentalism:
Towards a Productive Rapprochement between the Philosophy of Art and Cognitive
Neuroscience. abstract
What Happens Inside a Book
Stays Inside Its Covers? Motor Simulation and Narrative Understanding.
A Visuomotor Skill Model for Energetic Costs Effects in
Picture Perception. pdf
Does Surface Electromyography
Reveal a Role for Motor Simulation in Picture Perception? pdf
Piano Hands: Surface
Electromyography Reveals Effects of Motor Simulation in Passive Listening.
In-Joint/Out-of-Joint: Motor
Simulation & the Perception of Biologically Possible/Impossible Apparent
Motion.
Related Links:
Luciano FloridiÕs blog about
the sculpture in the group show ÒRES Arts: Robotics and Emergent SystemsÓ at
A-Life X.
Interview
with Ulrich Boser on art theft, ChristinaÕs World, and the cognitive
neuroscience of art.