These questions focus on Bed and Sofa (Tret'ia meshchanskaia), directed by Avram Room and released in 1927.

How does this film compare, in the way it was shot, to Eisenstein's Potemkin?

How does the director use space in the film: think of the different spaces - both interior and exterior - shown in the film, and the different perspectives and meanings they communicate.

What role does the cat play in the film?

How do you understand the film's ending? Where is Lyuda headed? What is the significance of the train in the film (it also appears at the beginning)?