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THE SHORTNESS OF LIFE, xiii. 6-8 [Translation from Stoics.com]
Does it serve any useful purpose to know that Pompey was the first to exhibit the slaughter of eighteen elephants in the Circus, pitting criminals against them in a mimic battle? He, a leader of the state and one who, according to report, was conspicuous among the leaders of old for the kindness of his heart, thought it a notable kind of spectacle to kill human beings after a new fashion. Do they fight to the death? That is not enough! Are they torn to pieces? That is not enough! Let them be crushed by animals of monstrous bulk! Better would it be that these things pass into oblivion lest hereafter some all-powerful man should learn them and be jealous of an act that was nowise human. O, what blindness does great prosperity cast upon our minds! When he was casting so many troops of wretched human beings to wild beasts born under a different sky, when he was proclaiming war between creatures so ill matched, when he was shedding so much blood before the eyes of the Roman people, who itself was soon to be forced to shed more. he then believed that he was beyond the power of Nature. But later this same man, betrayed by Alexandrine treachery, offered himself to the dagger of the vilest slave, and then at last discovered what an empty boast his surname was.
To Atticus (Returning from Epirus) Antium, April, 56 B.C.
It will be delightful if you come to see us here. You will find that Tyrannio has made a wonderfully good arrangement of my books, the remains of which are better than I had expected. Still, I wish you would send me a couple of your library slaves for Tyrannio to employ as gluers, and in other subordinate work, and tell them to get some fine parchment to make title pieces, which you Greeks, I think, call "sillybi." But all this is only if not inconvenient to you. In any case, be sure you come yourself, if you can halt for a while in such a place, and can persuade Pilia to accompany you. For that is only fair, and Tulia is anxious that she should come. My word! You have purchased a fine troop! Your gladiators, I am told, fight superbly. If you had chosen to let them out you would have cleared your expenses by the last two spectacles. But we will talk about this later on. Be sure to come, and, as you love me, see about the library slaves.
Just look at the gladiators, either debased men or foreigners, and consider the blows they endure! Consider how they who have been well-disciplined prefer to accept a blow than ignominiously avoid it! How often it is made clear that they consider nothing other than the satisfaction of their master or the people! Even when they are covered with wounds they send a messenger to their master to inquire his will. If they have given satisfaction to their masters, they are pleased to fall. What even mediocre gladiator ever groans, ever alters the expression on his face? Which one of them acts shamefully, either standing or falling? And which of them, even when he does succumb, ever contracts his neck when ordered to receive the blow?
And yet I realize that in our country, even in the good old times, it had become a settled custom to expect magnificent entertainments from the very best men in their year of aedileship. So both Publius Crassus, who was not merely surnamed "The Rich" but was rich in fact, gave splendid games in his aedileship; and a little later Lucius Crassus (with Quintus Mucius, the most unpretentious man in the world, as his colleague) gave most magnificent entertainments in his aedileship. Then came Gaius Claudius, the son of Appius, and, after him, many others-the Luculli, Hortensius, and Silanus. Publius Lentulus, however, in the year of my consulship, eclipsed all that had gone before him, and Scaurus emulated him. And my friend Pompey's exhibitions in his second consulship were the most magnificent of all. And so you see what I think about all this sort of thing. 58 XVII. Still we should avoid any suspicion of penuriousness. Mamercus was a very wealthy man, and his refusal of the aedileship was the cause of his defeat for the consulship. If, therefore, such entertainment is demanded by the people, men of right judgment must at least consent to furnish it, even if they do not like the idea. But in so doing they should keep within their means, as I myself did. They should likewise afford such entertainment, if gifts of money to the people are to be the means of securing on some occasion some more important or more useful object.
And indeed there are characteristic and specific vices in this city, which seem to me to be practically born in the womb: the obsession with actors and the passion for gladiatorial shows and horse racing. How much room does a mind preoccupied with such things have for the noble arts?
During these same days Pompey dedicated the theatre in which we take pride even at the present time. In it he provided an entertainment consisting of music and gymnastic contests, and in the Circus a horse-race and the slaughter of many wild beasts of all kinds. Indeed, five hundred lions were used up in five days, and eighteen elephants fought against men in heavy armour. Some of these beasts were killed at the time and others a little later. For some of them, contrary to Pompey's wish, were pitied by the people when, after being wounded and ceasing to fight, they walked about with their trunks raised toward heaven, lamenting so bitterly as to give rise to the report that they did so not by mere chance, but were crying out against the oaths in which they had trusted when they crossed over from Africa, and were calling on Heaven to avenge them. For it is said that they would not set foot upon the ships before they received a pledge under oath from their drivers that they should suffer no harm. Whether this is really so or not I do not know;....
[22] So after completing the new
forum and the temple to Venus, as the founder of his family, he
[Julius
Caesar] dedicated them at this
very time and in their honour instituted many contests of all
kinds. He built a kind of hunting-theatre of wood, which was
called an amphitheatre from the fact that it had seats all around
without any stage. In honour of this and of his daughter he
exhibited combats of wild beats and gladiators; but anyone who
cared to record their number would find his task a burden without
being able, in all probability, to present the truth; for all such
matters are regularly exaggerated in a spirit of boastfulness. I
shall accordingly pass over this and other like events.....
[23]...As for the men, he not only pitted them one against
another singly in the Forum, as was customary, but he also made
them fight together in companies in the Circus, horsemen against
horsemen, men on foot against others on foot, and sometimes both
kinds together in equal numbers. There was even a fight between
men seated on elephants, forty in number. Finally he produced a
naval battle; not on the sea nor on a lake, but on land; for he
hollowed out a certain tract on the Campus Martius and after
flooding it introduced ships into it. In all the contests the
captives and those condemned to die took part; yet some even of
the knights, and, not to mention others, the son of one who had
been praetor fought in single combat. Indeed a senator named
Fulvius Sepinus desired to contend in full armour, but he was
prevented; for Caesar deprecated that spectacle at any time,
though he did permit the knights to contend. The patrician boys
went through the equestrian exercise called "Troy" according to
ancient custom, and the young men of the same rank, contended in
chariots.
[24]He was blamed, indeed, for the great number of those
slain, on the ground that he himself had not become sated with
bloodshed and was further exhibiting to the populace symbols of
their own miseries; but much more faith was found because he had
expended countless sums on all that array....In order that the sun
might not annoy any of the spectators, he had curtains stretched
over them made of silk, according to some accounts.
1. Most that he did was not characterized by anything
noteworthy, but in dedicating the hunting theatre [The
Amphiteatrum Flavium, later known as the Colosseum]
and the baths that that bear his name he produced many remarkable
spectacles. There was a battle between cranes and also between
four elephants; animals both tame and wild were slain to the
number of nine thousand; and women (not those of any prominence,
however) took part in despatching them.
2. As for the men, several fought in single combat and several
groups contended together both in infantry and naval battles. For
Titus suddenly filled this same theatre with water and brought in
horses and bulls and some other domesticated animals that had been
taught to behave in the liquid element just as on land.
3. He also brought in people on ships, who engaged in a sea-fight
there, impersonating the Corcyreans and Corinthians; and others
gave a similar exhibition from outside the city in the grove of
Gaius and Lucius, a place which Augustus had once excavated for
this very purpose. There, too, on the first day, there was a
gladiatorial exhibition and wild-beast hunt, the lake in front of
the images having first been covered over with a platform of
planks and wooden stands erected around it.
4. On the second day there was a horse-race, and on the third day
a naval battle between three thousand men, followed by an infantry
battle. The "Athenians" conquered the "Syracusans" (these were the
names the combatants used), made a landing on the islet [i.e.,
Ortygia]
and assaulted and captured a wall that had been constructed around
the monument. These were the spectacles that were offered, and
they continued for a hundred days; but Titus also furnished some
things that were of practical use to the people.
5. He would throw down into the theatre from aloft little wooden
balls variously inscribed, one designating some article of food,
another clothing, another a silver vessel or perhaps a gold one,
or again horses, pack-animals, cattle or slaves. Those who seized
them were to carry them to the dispensers of the bounty, from whom
they would receive the article named.
Upon Trajan's return to Rome ever so many embassies came to him from various barbarians, including the Indi. And he gave spectacles on one hundred and twenty-three days, in the course of which some eleven thousand animals, both wild and tame, were slain, and ten thousand gladiators fought.
19. Fenestella states that the first
elephant fought in the circus at Rome in the curule aedileship of
Claudius Pulcher and the consulship of Marcus Antonius and Aulus
Postumius, 99 B.C., and also that the first fight of an elephant
against bulls was twenty years later in the curule aedileship of
the Luculli.
20. Also in Pompey's second consulship at the dedication of the
Temple of Venus Victrix, twenty, or, as some record, seventeen,
fought in the Circus, their opponents being Gaetulians armed with
javelins, one of the animals putting up a marvelous fight - its
feet being disabled by wounds it crawled against the hordes of the
enemy on its knees, snatching their shields from them and throwing
them into the air, and these as they fell delighted the spectators
by the curves they described, as if they were being thrown by a
skilled juggler and not by an infuriated wild animal. There was
also a marvelous occurrence in the case of another, which was
killed by a single blow, as the javelin striking it under the eye
had reached the vital parts of the head.
21. The whole band attempted to burst through the iron palisading
by which they were enclosed and caused considerable trouble among
the public. Owing to this, when subsequently Caesar in his
dictatorship [49 b.c.] was going to exhibit a similar show
he surrounded the arena with channels of water; these the emperor
Nero removed when adding special places for the Knighthood. But
Pompey's elephants when they had lost all hope of escape tried to
gain the compassion of the crowd by indescribable gestures of
entreaty, deploring their fate with a sort of wailing, so much to
the distress of the public that they forgot the general and his
munificence carefully devised for their honour, and bursting into
tears rose in a body and invoked curses on the head of Pompey for
which he soon afterwards paid the penalty. Elephants also fought
for the dictator Caesar in his third consulship [46 b.c.],
twenty being matched against 500 foot soldiers, and on a second
occasion an equal number carrying castles each with a garrison of
60 men, who fought a pitched battle against the same number of
infantry as on the former occasion and an equal number of cavalry;
and subsequently for the emperors Claudius and Nero elephants
versus men single-handed, as the crowning exploit of the
gladiators' careers.
We did the kinds of things which later generations believe are the stuff of legend. Caesar who was later dictator, first, when he was aedile, used in the funeral games for his ancestors, every ostentation, beginning with the silvered sand; then for the first time the condemned in silver array attacked the beasts, which even now they emulate in the provinces. C. Antonius produced a play on a silver stage, L. Murena did the same. The Emperor Gaius brought a stage into the Circus in which the weights were silver.
XLVII. While emperor he constructed no magnificent public works, for the only ones which he undertook, the temple of Augustus and the restoration of Pompey's theatre, he left unfinished after so many years. He gave no public shows at all, and very seldom attended those given by others, for fear that some request would be made of him, especially after he was forced to buy the freedom of a comic actor named Actius. Having relieved the neediness of a few senators, he avoided the necessity of further aid by declaring that he would help no others unless they proved to the Senate that there were legitimate causes for their condition. Therefore diffidence and a sense of shame kept many from applying, among them Hortalus, grandson of Quintus Hortensius the orator, who though of very limited means had begotten four children with the encouragement of Augustus.
XXXIX. He gave entertainments of divers kinds: a combat of gladiators and also stage-plays in every ward all over the city, performed too by actors of all languages, as well as races in the circus, athletic contests, and a sham sea-fight. In the gladiatorial contest in the Forum Furius Leptinus, a man of praetorian stock, and Quintus Calpenus, a former senator and pleader at the bar, fought to a finish. A Pyrrhic dance was performed by the sons of the princes of Asia and Bithynia. During the plays Decimus Laberius, a Roman eques, acted a farce of his own composition, and having been presented with five hundred thousand sesterces and a gold ring [in token of his restoration to the rank of eques, which he forfeited by appearing on the stage], passed from the stage through the orchestra and took his place in the fourteen rows [the first fourteen rows above the orchestra, reserved for the equites by the law of L. Roscius Otho, tribune of the plebeians, in 67 B.C.]. For the races the circus was lengthened at either end and a broad canal was dug all about it; then young men of the highest rank drove four-horse and two-horse chariots and rode pairs of horses, vaulting from one to the other. The game called Troy was performed by two troops, of younger and of older boys. Combats with wild beasts were presented on five successive days, and last of all there was a battle between two opposing armies, in which five hundred foot-soldiers, twenty elephants, and thirty horsemen engaged on each side. To make room for this, the goals were taken down and in their place two camps were pitched over against each other. The athletic competitions lasted for three days in a temporary stadium built for the purpose in the region of the Campus Martius. For the naval battle a pool was dug in the lesser Codeta and there was a contest of ships of two, three, and four banks of oars, belonging to the Tyrian and Egyptian fleets, manned by a large force of fighting men. Such a throng flocked to all these shows from every quarter, that many strangers had to lodge in tents pitched in the streets or along the roads, and the press was often such that many were crushed to death, including two senators.
X. When aedile [65 B.C.], Caesar decorated not only the Comitium and the Forum with its adjacent basilicas, but the Capitol as well, building temporary colonnades for the display of a part of his material. He exhibited combats with wild beasts and stageplays too, both with his colleague and independently. The result was that Caesar alone took all the credit even for what they spent in common, and his colleague Marcus Bibulus openly said that his was the fate of Pollux: "For," said he, "just as the temple erected in the Forum to the twin brethren, bears only the name of Castor, so the joint liberality of Caesar and myself is credited to Caesar alone." Caesar gave a gladiatorial show besides, but with somewhat fewer pairs of combatants than he had purposed; for the huge band which he assembled from all quarters so terrified his opponents, that a bill was passed limiting the number of gladiators which anyone was to be allowed to keep in the city.
...
RG, 22-23 [tr. T. Buschnell, from The Internet Classics Archive Deeds of Augustus Page
23. I gave the people a spectacle of a naval battle, in the place across the Tiber where the grove of the Caesars is now, with the ground excavated in length 1,800 feet, in width 1,200, in which thirty beaked ships, biremes or triremes, but many smaller, fought among themselves; in these ships about 3,000 men fought in addition to the rowers.
Plin. Ep. 9.6: on chariot racing [Translation from The Ancient History Sourcebook: Pliny the Younger, Selected Letters]
I have spent these several days past, in reading and writing, with the most pleasing tranquillity imaginable. You will ask, "How that can possibly be in the midst of Rome?" It was the time of celebrating the Circensian games: an entertainment for which I have not the least taste. They have no novelty, no variety to recommend them, nothing, in short, one would wish to see twice. It does the more surprise me therefore that so many thousand people should be possessed with the childish passion of desiring so often to see a parcel of horses gallop, and men standing upright in their chariots. If, indeed, it were the swiftness of the horses, or the skill of the men that attracted them, there might be some pretence of reason for it. But it is the dress they like; it is the dress that takes their fancy. And if, in the midst of the course and contest, the different parties were to change colours, their different partisans would change sides, and instantly desert the very same men and horses whom just before they were eagerly following with their eyes, as far as they could see, and shouting out their names with all their might. Such mighty charms, such wondrous power reside in the colour of a paltry tunic! And this not only with the common crowd (more contemptible than the dress they espouse), but even with serious-thinking people. When I observe such men thus insatiably fond of so silly, so low, so uninteresting, so common an entertainment, I congratulate myself on my indifference to these pleasures: and am glad to employ the leisure of this season upon my books, which others throw away upon the most idle occupations. Farewell.
[Footnote 1: The performers at these games were divided into companies, distinguished by the particular colour of their habits; the principal of which were the white, the red, the blue, and the green. Accordingly the spectators favoured one or the other colour, as humour and caprice inclined them. In the reign of Justinian a tumult arose in Constantinople, occasioned merely by a contention among the partisans of these several colours, wherein no less than 30,000 men lost their lives. M.]
Meantime the solemn Idaen rite of the Megalesian napkin is being held; there sits the Praetor in his triumphal state, the prey of horseflesh; and (if I may say so without offense to the vast unnumbered mob) all Rome to-day is in the Circus. A roar strikes upon my ear which tells me that the Green has won; for had it lost, Rome would be as sad and dismayed as when the Consuls were vanquished in the dust of Cannae. Such sights are for the young, whom it befits to shout and make bold wagers with a smart damsel by their side; but let my shrivelled skin drink in the vernal sun, and escape the toga.
Now that no one buys our votes, the public
has long since cast off its cares; the people that once bestoed
commands, consulships, legions and all else, now meddles no more
and longs eagerly for just two things - Bread and Games!
NB - The Encyclopaedia Britannica doesn't have much on old Aelius Spartianus. Use the library to find out what you can about the man and bring your notes to class.The Life of Hadrian (6-7) [translation from The Ancient History Sourcebook]
VIII. The foremost members of the senate he admitted to close intimacy withthe emperor's majesty. All circus-games decreed in his honour he refused, except those held to celebrate his birthday.
ECL. 23.33-7 = Athenaeus, 4.153f-154a, Loeb trans [quoting Nicolaus of Damascus, FGrH 90, F78 = FHG iii.265]
2.3.2 [Latin text from: The Latin Library at Ad Fontes Academy: Valerius Maximus Page]
The practice of weapons training was given to soldiers by P. Rutilius, consul with C. Mallis. For he, following the example of no previous general, with teachers summoned from the gladiatorial training school of C. Aurelus Scaurus, implanted in the legions a more sophisticated method of avoiding and dealing a blow and mixed bravery with skill and skill back again with virtue so that skill became stronger by bravery's passion and passion became more wary with the knowledge of this art.
Mil. 1.11 [FLAVI VEGETI RENATI VIRI INLUSTRIS COMITIS EPITOMA REI MILITARIS LIBRI IIII]The ancients, we read, trained their recruits in this manner: They wove rounded shields from switches in the shape of ribbing, so that the weight of the ribbing would be double the weight an ordinary shield would have. In the same way, they gave wooden practice swords of almost double the ordinary weight as swords to the recruits. In this way, not only in the morning, but even after noon they practiced against stakes. For the use of stakes, not only for soldiers, but even for gladiators is very common. Neither the arena nor the field of battle ever pronounced a man untested by weapons acceptable unless he was taught, having excercised diligently, at the stake. Instead, individual stakes were fixed into the ground by individual recruits so that they could not sway and stood up six feet tall. Against this stake, as if against a foe, the recruit with the weighted shield and sword practiced as if with a real shield and sword - now as though he were attacking the head and face, now as though threatening from the side, and from time to time he would try to attack the thighs and legs from below, he would move back, jump forward, and on it, as if against an actual foe, so that he tested the stake with every blow, with every art of making war. In this excercise, this precaution was observed - that the recruit moved forward to deliver a blow in no way by which he himslef would open himself to one.
A show of gladiators was to be exhibited before the people in the market-place, and most of the magistrates erected scaffolds round about, with an intention of letting them for advantage. Caius commanded them to take down their scaffolds, that the poor people might see the sport without paying anything. But nobody obeying these orders of his, he gathered together a body of labourers, who worked for him, and overthrew all the scaffolds the very night before the contest was to take place. So that by the next morning the market-place was cleared, and the common people had an opportunity of seeing the pastime. In this, the populace thought he had acted the part of a man; but he much disobliged the tribunes his colleagues, who regarded it as a piece of violent and presumptuous interference.
He was so profuse in his expenses that, before he had any public employment, he was in debt thirteen hundred talents, and many thought that by incurring such expense to be popular he changed a solid good for what would prove but a short and uncertain return; but in truth he was purchasing what was of the greatest value at an inconsiderable rate. When he was made surveyor of the Appian Way, he disbursed, besides the public money, a great sum out of his private purse; and when he was aedile, he provided such a number of gladiators, that he entertained the people with three hundred and twenty single combats, and by his great liberality and magnificence in theatrical shows, in processions, and public feastings, he threw into the shade all the attempts that had been made before him, and gained so much upon the people, that every one was eager to find out new offices and new honours for him in return for his munificence.
....
Caesar, upon his return to Rome, did not omit to pronounce before the people a magnificent account of his victory, telling them that he had subdued a country which would supply the public every year with two hundred thousand attic bushels of corn and three million pounds' weight of oil. He then led three triumphs for Egypt, Pontus, and Africa, the last for the victory over, not Scipio, but King Juba, as it was professed, whose little son was then carried in the triumph, the happiest captive that ever was, who, of a barbarian Numidian, came by this means to obtain a place among the most learned historians of Greece. After the triumphs, he distributed rewards to his soldiers, and treated the people with feasting and shows. He entertained the whole people together at one feast, where twenty-two thousand dining couches were laid out; and he made a display of gladiators, and of battles by sea, in honour, as he said, of his daughter Julia, though she had been long since dead. When these shows were over, an account was taken of the people who, from three hundred and twenty thousand, were now reduced to one hundred and fifty thousand. So great a waste had the civil war made in Rome alone, not to mention what the other parts of Italy and the provinces suffered.